We saw this movie on the releasing day though unintentionally. The movie is yet another new generation stereotype or in few words you can describe it as an uncomfortable, realistic, engrossing movie. Sex hog the stage but in a different dimension !The director succeeded in adding charm to many unpleasant social scenarios intertwined beautifully throughout the film. This is indeed noteworthy! (I wonder as a lay man how could he manage to weave together, the extremes in a meaningful narrative way) The casting was brilliant and the actors brought the best in them. Hats off to Murali and Indrajith (I liked them the most). On the whole a portray so loud yet lucid …
The film depicts side by side two families a filthy rich couple (Murali & Tanushree) in a realization phase that nothing can save their relation and the other (Indrajith & Mythili) living each moment ‘together’ be it pain or poverty in a house erected out of garbage. Though many films had come up with the issues among the poor and the wealthy, the script writer of this film added a different dimension exploiting the Google age. For instance, son searching the meaning of phrases from the every day blows and abuse of his mom by his father lightens the else disturbing scenes.
Murali is a complex personality battling everyday with himself to lose to reality. His day begins and ends by the brutally offensive statement that his wife is a crap. Ripping the woman in her, every day, is a curtain masking his inner turmoil. The story unveils the root cause of this altered disposition only at an advanced stage. Tanushree portrayed the pain of sacrifice, shattered dreams and the fuming rage as that of a caged animal craving for liberty. To fly far, as far she could from all the knot tying her to the so called home and family. Finally she succumbs to the sugar-coated dirty tongue of the north Indian – caveat much needed ! But no this is not the usual ‘trapped woman stuff’ as you fathom .. Hats off for the story teller for such an incredible twist !! He dilutes all such mind seizing scenes with his unique hilarious touch.
In my view Indrajith scored the most while Mythili displays her versatility. The slang, dialogue delivery and what all he was too good as Vishnu. Struggling to make a living yet holds tight all the morals. For him garbage is his world and when he gets enough to feed his mom, daughters and wife everything is ‘on’. Sex, love, laughter, fun, everything is at it heights. Under a thatched roof amidst the garbage made curios adorning his house they make love while the other couple encased in silky pillows is dying for a kiss. Scene perfect ! When this treasure is nearing a full stop the story unwinds with a blessing in disguise.
Anoop Menon as ‘the laughing stock in police department’ and his investigative Journalist girl friend Lena steals the show with their fabulous performance.
Besides the couples, other social issues related to the influx of North Indian workers, robbery, deserted old age, violence, sex addicts all come into play in the right time adding unbelievable twist to the movie. Although the first half is a bit lagging, second half is a masterpiece. It seems to end in a flip of seconds. Ooohw ! I am absolutely mesmerized.
On the whole a piercing warning ! Its worth to watch …
